https://www.josephinesedgwick.com/projects daily 1.0 2019-12-17 https://images.squarespace-cdn.com/content/v1/568b01cbcbced67dd8a64ef3/1489868561616-FNPJFEJMEI14QUHOX39X/Screen+Shot+2017-03-18+at+4.21.44+PM.png Projects - Think Tank - lid "Experimental Trio Think Tank's 'Lid' Is a Genre-Hopping Free-Form Odyssey" -- VICE's Noisey Full review here. https://images.squarespace-cdn.com/content/v1/568b01cbcbced67dd8a64ef3/1489869069208-H1Z7DBE1UA5UEL20U56H/Screen+Shot+2017-03-18+at+2.29.15+PM.png Projects https://images.squarespace-cdn.com/content/v1/568b01cbcbced67dd8a64ef3/1492186700494-8UWNUSEPRGLS33JJ344Z/fitting-in-zit-less-buff.gif Projects - Fitting In March 2017. https://images.squarespace-cdn.com/content/v1/568b01cbcbced67dd8a64ef3/1452540803572-ZONPDSI50FO058SYIQNN/Discover+Page.jpg Projects - Visual Navigation, UCSF Creative Director / Design Sample visual navigation for a website for young adults to discover mental health information, resources, and immediate help. https://images.squarespace-cdn.com/content/v1/568b01cbcbced67dd8a64ef3/1452199630354-MR9CH6BWJ39UEVWG1Q2C/image-asset.jpeg Projects - Lady in the Dark / Nostalgia for the Light I have gathered a variety of found footage clips ranging from early cinema, to early video, to present day. Re-shooting this history of evolving moving images off of a MacBook Pro’s LED back-lit glossy display distorts and materially democratizes these differently captured pasts. I then further meld and disrupt the different temporal sources in postproduction via various blending and overlay techniques. Information is lost where layer is gained. “Lossless,” a term which seems so human in its utopianism, is in fact a technical and digital term, first referring to the lack of “dissipation of electrical or electromagnetic energy” and then to “data compression without loss of information” (New Oxford American Dictionary). But digital data is not forever, it is, as the film curator and preservationist Paolo Cherchi Usai proposes in his “Lindgren Manifesto,” an “endangered medium, and migration its terminal disease,” therefore, “the real problem with digital restoration is its false message that moving images have no history, its delusion of eternity”—its delusion of immortality and inhumanness. 2013. https://www.josephinesedgwick.com/test-index daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/51e6b9c9e4b050adffbe392c/1451590433084-6I0CHB8O1FU2XAVN1JX5/6bf9edd0565867d7299fa2e9bba4dae7.jpg TEST INDEX https://images.squarespace-cdn.com/content/v1/51e6b9c9e4b050adffbe392c/1451590449568-K9OC34HK3H6N22BTUC4J/Vinyl.jpg TEST INDEX https://images.squarespace-cdn.com/content/v1/568b01cbcbced67dd8a64ef3/1452198229135-NY2AN8WL7UNQ0PK0IMUI/image-asset.jpeg TEST INDEX - Nomadic Architecture Three film loops, shot and composed digitally, printed to 16mm film as a form of direct animation. Shadow-play on the shifting structures of time, architecture, and body. Silent. 2011. https://www.josephinesedgwick.com/about daily 0.75 2018-06-19